ingenue
ingenue
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funeral-wreaths:

Julia Margaret Cameron, 'And Enid Sang', photographic illustration of Alfred Lord Tennyson’s Idylls of the King, September 1874

It chanced the song that Enid sang was oneOf Fortune and her wheel, and Enid sang:
'Turn, Fortune, turn thy wheel and lower the proud;Turn thy wild wheel thro’ sunshine, storm, and cloud;Thy wheel and thee we neither love nor hate.’
— Alfred Lord Tennyson, The Marriage of Geraint, ll. 345-349, from Idylls of the King, first published 1859
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likeafieldmouse:

Naum Gabo - Selections from the Opus series (1950-73)
likeafieldmouse:

Naum Gabo - Selections from the Opus series (1950-73)
likeafieldmouse:

Naum Gabo - Selections from the Opus series (1950-73)
likeafieldmouse:

Naum Gabo - Selections from the Opus series (1950-73)
likeafieldmouse:

Naum Gabo - Selections from the Opus series (1950-73)
likeafieldmouse:

Naum Gabo - Selections from the Opus series (1950-73)
likeafieldmouse:

Naum Gabo - Selections from the Opus series (1950-73)
likeafieldmouse:

Naum Gabo - Selections from the Opus series (1950-73)
likeafieldmouse:

Naum Gabo - Selections from the Opus series (1950-73)
likeafieldmouse:

Naum Gabo - Selections from the Opus series (1950-73)
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asylum-art:

Nick Knight's Melting Floral Photomanipulations
After spending a few decades shooting high-concept high-fashion spreads for the likes of i-D, Vogue, W Magazine, Yves Saint Laurent, Alexander McQueen and Christian Dior,  photographer Nick Knight has recently launched a body of work in London, nearly 10 years in the making. Inspired by paintings from the Baroque period, Knight’s altered large-format photographs of elegant floral arrangements take on a psychedelic, gorgeously twisted liquidity. By exposing the prints to various combinations of heat, chemical and water treatments during the printing process, he’s able to interject each piece with an intriguing, painterly flair.
asylum-art:

Nick Knight's Melting Floral Photomanipulations
After spending a few decades shooting high-concept high-fashion spreads for the likes of i-D, Vogue, W Magazine, Yves Saint Laurent, Alexander McQueen and Christian Dior,  photographer Nick Knight has recently launched a body of work in London, nearly 10 years in the making. Inspired by paintings from the Baroque period, Knight’s altered large-format photographs of elegant floral arrangements take on a psychedelic, gorgeously twisted liquidity. By exposing the prints to various combinations of heat, chemical and water treatments during the printing process, he’s able to interject each piece with an intriguing, painterly flair.
asylum-art:

Nick Knight's Melting Floral Photomanipulations
After spending a few decades shooting high-concept high-fashion spreads for the likes of i-D, Vogue, W Magazine, Yves Saint Laurent, Alexander McQueen and Christian Dior,  photographer Nick Knight has recently launched a body of work in London, nearly 10 years in the making. Inspired by paintings from the Baroque period, Knight’s altered large-format photographs of elegant floral arrangements take on a psychedelic, gorgeously twisted liquidity. By exposing the prints to various combinations of heat, chemical and water treatments during the printing process, he’s able to interject each piece with an intriguing, painterly flair.
asylum-art:

Nick Knight's Melting Floral Photomanipulations
After spending a few decades shooting high-concept high-fashion spreads for the likes of i-D, Vogue, W Magazine, Yves Saint Laurent, Alexander McQueen and Christian Dior,  photographer Nick Knight has recently launched a body of work in London, nearly 10 years in the making. Inspired by paintings from the Baroque period, Knight’s altered large-format photographs of elegant floral arrangements take on a psychedelic, gorgeously twisted liquidity. By exposing the prints to various combinations of heat, chemical and water treatments during the printing process, he’s able to interject each piece with an intriguing, painterly flair.
asylum-art:

Nick Knight's Melting Floral Photomanipulations
After spending a few decades shooting high-concept high-fashion spreads for the likes of i-D, Vogue, W Magazine, Yves Saint Laurent, Alexander McQueen and Christian Dior,  photographer Nick Knight has recently launched a body of work in London, nearly 10 years in the making. Inspired by paintings from the Baroque period, Knight’s altered large-format photographs of elegant floral arrangements take on a psychedelic, gorgeously twisted liquidity. By exposing the prints to various combinations of heat, chemical and water treatments during the printing process, he’s able to interject each piece with an intriguing, painterly flair.
asylum-art:

Nick Knight's Melting Floral Photomanipulations
After spending a few decades shooting high-concept high-fashion spreads for the likes of i-D, Vogue, W Magazine, Yves Saint Laurent, Alexander McQueen and Christian Dior,  photographer Nick Knight has recently launched a body of work in London, nearly 10 years in the making. Inspired by paintings from the Baroque period, Knight’s altered large-format photographs of elegant floral arrangements take on a psychedelic, gorgeously twisted liquidity. By exposing the prints to various combinations of heat, chemical and water treatments during the printing process, he’s able to interject each piece with an intriguing, painterly flair.
asylum-art:

Nick Knight's Melting Floral Photomanipulations
After spending a few decades shooting high-concept high-fashion spreads for the likes of i-D, Vogue, W Magazine, Yves Saint Laurent, Alexander McQueen and Christian Dior,  photographer Nick Knight has recently launched a body of work in London, nearly 10 years in the making. Inspired by paintings from the Baroque period, Knight’s altered large-format photographs of elegant floral arrangements take on a psychedelic, gorgeously twisted liquidity. By exposing the prints to various combinations of heat, chemical and water treatments during the printing process, he’s able to interject each piece with an intriguing, painterly flair.
asylum-art:

Nick Knight's Melting Floral Photomanipulations
After spending a few decades shooting high-concept high-fashion spreads for the likes of i-D, Vogue, W Magazine, Yves Saint Laurent, Alexander McQueen and Christian Dior,  photographer Nick Knight has recently launched a body of work in London, nearly 10 years in the making. Inspired by paintings from the Baroque period, Knight’s altered large-format photographs of elegant floral arrangements take on a psychedelic, gorgeously twisted liquidity. By exposing the prints to various combinations of heat, chemical and water treatments during the printing process, he’s able to interject each piece with an intriguing, painterly flair.
asylum-art:

Nick Knight's Melting Floral Photomanipulations
After spending a few decades shooting high-concept high-fashion spreads for the likes of i-D, Vogue, W Magazine, Yves Saint Laurent, Alexander McQueen and Christian Dior,  photographer Nick Knight has recently launched a body of work in London, nearly 10 years in the making. Inspired by paintings from the Baroque period, Knight’s altered large-format photographs of elegant floral arrangements take on a psychedelic, gorgeously twisted liquidity. By exposing the prints to various combinations of heat, chemical and water treatments during the printing process, he’s able to interject each piece with an intriguing, painterly flair.
asylum-art:

Nick Knight's Melting Floral Photomanipulations
After spending a few decades shooting high-concept high-fashion spreads for the likes of i-D, Vogue, W Magazine, Yves Saint Laurent, Alexander McQueen and Christian Dior,  photographer Nick Knight has recently launched a body of work in London, nearly 10 years in the making. Inspired by paintings from the Baroque period, Knight’s altered large-format photographs of elegant floral arrangements take on a psychedelic, gorgeously twisted liquidity. By exposing the prints to various combinations of heat, chemical and water treatments during the printing process, he’s able to interject each piece with an intriguing, painterly flair.
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nearlya:

Pejac. Seppuku
nearlya:

Pejac. Seppuku
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iamjapanese:

Denis Sarazhin(Саражин Денис Олегович Ukrainian, b.1982)
here, here and here
iamjapanese:

Denis Sarazhin(Саражин Денис Олегович Ukrainian, b.1982)
here, here and here
iamjapanese:

Denis Sarazhin(Саражин Денис Олегович Ukrainian, b.1982)
here, here and here
iamjapanese:

Denis Sarazhin(Саражин Денис Олегович Ukrainian, b.1982)
here, here and here
iamjapanese:

Denis Sarazhin(Саражин Денис Олегович Ukrainian, b.1982)
here, here and here
iamjapanese:

Denis Sarazhin(Саражин Денис Олегович Ukrainian, b.1982)
here, here and here
iamjapanese:

Denis Sarazhin(Саражин Денис Олегович Ukrainian, b.1982)
here, here and here
iamjapanese:

Denis Sarazhin(Саражин Денис Олегович Ukrainian, b.1982)
here, here and here
+
likeafieldmouse:

Miwa Ogasawara
1. In Light
2. Bow
3. Cosmos
4. Sunrise
5. Sorrow
6. Space
7. Skin I
8. Skin II
9. Winter
10. Memories
likeafieldmouse:

Miwa Ogasawara
1. In Light
2. Bow
3. Cosmos
4. Sunrise
5. Sorrow
6. Space
7. Skin I
8. Skin II
9. Winter
10. Memories
likeafieldmouse:

Miwa Ogasawara
1. In Light
2. Bow
3. Cosmos
4. Sunrise
5. Sorrow
6. Space
7. Skin I
8. Skin II
9. Winter
10. Memories
likeafieldmouse:

Miwa Ogasawara
1. In Light
2. Bow
3. Cosmos
4. Sunrise
5. Sorrow
6. Space
7. Skin I
8. Skin II
9. Winter
10. Memories
likeafieldmouse:

Miwa Ogasawara
1. In Light
2. Bow
3. Cosmos
4. Sunrise
5. Sorrow
6. Space
7. Skin I
8. Skin II
9. Winter
10. Memories
likeafieldmouse:

Miwa Ogasawara
1. In Light
2. Bow
3. Cosmos
4. Sunrise
5. Sorrow
6. Space
7. Skin I
8. Skin II
9. Winter
10. Memories
likeafieldmouse:

Miwa Ogasawara
1. In Light
2. Bow
3. Cosmos
4. Sunrise
5. Sorrow
6. Space
7. Skin I
8. Skin II
9. Winter
10. Memories
likeafieldmouse:

Miwa Ogasawara
1. In Light
2. Bow
3. Cosmos
4. Sunrise
5. Sorrow
6. Space
7. Skin I
8. Skin II
9. Winter
10. Memories
likeafieldmouse:

Miwa Ogasawara
1. In Light
2. Bow
3. Cosmos
4. Sunrise
5. Sorrow
6. Space
7. Skin I
8. Skin II
9. Winter
10. Memories
likeafieldmouse:

Miwa Ogasawara
1. In Light
2. Bow
3. Cosmos
4. Sunrise
5. Sorrow
6. Space
7. Skin I
8. Skin II
9. Winter
10. Memories
+
visual-poetry:

»easter wings« by george herbert (1633)

herbert’s “easter wings”, a pattern poem in which the work is not only meant to be read, but its shape is meant to be appreciated. in this case, the poem was printed (original image here shown) on two facing pages of a book, sideways, so that the lines suggest two birds flying upward, with wings spread out. (wikipedia)